{"id":317,"date":"2013-12-10T21:26:43","date_gmt":"2013-12-10T21:26:43","guid":{"rendered":"http:\/\/fabianatesta.net\/?p=317"},"modified":"2013-12-10T21:26:43","modified_gmt":"2013-12-10T21:26:43","slug":"jim_hall-dec-4-1930-dec-10-2013","status":"publish","type":"post","link":"https:\/\/fabianatesta.net\/site\/english\/jim_hall-dec-4-1930-dec-10-2013\/","title":{"rendered":"Jim Hall &#8211; Dec. 4, 1930-Dec. 10, 2013"},"content":{"rendered":"<blockquote>\n<h2>Remembering Jim Hall<\/h2>\n<p>&nbsp;<\/p>\n<p>&#8220;Players should force themselves to hear something and then play it, rather than just do whatever comes under their fingers. I try to make my playing as fresh as possible by not relying on set patterns.<\/p>\n<p>When I practice, I tie off some of the strings with rubber bands to force myself to look at the fingerboard differently. Force instance, I might play on the D and G strings only, or even just on the G and A strings.&#8221;<\/p><\/blockquote>\n<blockquote><p>&#8220;I musicisti dovrebbero sforzarsi di sentire qualcosa e poi suonarla, piuttosto che fare qualsiasi cosa gli passi sotto le dita. Io provo a far s\u00ec che il mio modo di suonare sia il pi\u00f9 fresco possibile non affidandomi a patterns prestabiliti.<\/p><\/blockquote>\n<blockquote><p>Quando studio, lego alcune corde con dei nastri di gomma per forzarmi a guardare la tastiera in modo differente. Per esempio, posso suonare sulle corde di RE e SOL solamente, o anche solo sulle corde di SOL e LA.&#8221;<\/p>\n<div id=\"attachment_318\" style=\"width: 292px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/fabianatesta.net\/wp-content\/uploads\/2013\/12\/jim-hall1-e1318367523947.jpg\"><img aria-describedby=\"caption-attachment-318\" loading=\"lazy\" class=\"size-medium wp-image-318\" alt=\"Jim Hall\" src=\"http:\/\/fabianatesta.net\/wp-content\/uploads\/2013\/12\/jim-hall1-e1318367523947-282x300.jpg\" width=\"282\" height=\"300\" \/><\/a><p id=\"caption-attachment-318\" class=\"wp-caption-text\">Jim Hall<\/p><\/div>\n<p><a href=\"http:\/\/www.jimhallmusic.com\" target=\"_blank\">Jim Hall Website<\/a><\/p><\/blockquote>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Remembering Jim Hall &nbsp; &#8220;Players should force themselves to hear something and then play it, rather than just do whatever comes under their fingers. I try to make my playing as fresh as possible by not relying on set patterns. When I practice, I tie off some of the strings with rubber bands to force&hellip;<\/p>\n","protected":false},"author":1,"featured_media":325,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0},"categories":[6,8,9,12,13,14],"tags":[73],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/fabianatesta.net\/site\/wp-json\/wp\/v2\/posts\/317"}],"collection":[{"href":"https:\/\/fabianatesta.net\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fabianatesta.net\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fabianatesta.net\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fabianatesta.net\/site\/wp-json\/wp\/v2\/comments?post=317"}],"version-history":[{"count":0,"href":"https:\/\/fabianatesta.net\/site\/wp-json\/wp\/v2\/posts\/317\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fabianatesta.net\/site\/wp-json\/wp\/v2\/media\/325"}],"wp:attachment":[{"href":"https:\/\/fabianatesta.net\/site\/wp-json\/wp\/v2\/media?parent=317"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fabianatesta.net\/site\/wp-json\/wp\/v2\/categories?post=317"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fabianatesta.net\/site\/wp-json\/wp\/v2\/tags?post=317"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}